The painting theory

　I have been observing the painting theory, especially, the connection between colors and materials (support and pigment).This is a method based on painting.　

I have three basic thoughts. The one is “painting illusion” and the other is “the spirituality influenced by colors”. The last problem is, “the effect the size has on painting”.
At the same time, I’m examining how much the color is influenced by the environment, climate and history. If possible, I would like to create a magnificent work like a symphony.
This is how I would like to paint.

Well, I thought that “The color should be liberated from the spirit to be transferred to the painting absolutely.” But I don’t understand how I can free the color from the spirit.

When I look at my paintings carefully, I feel on the contrary, that I suppress the color instead of liberating it. In fact, the pink colors that are painted all over the canvas looks like a crushed voice, that block the spirit like a floating ghost.
We can imagine that the blood is of red color, and red color has to include a depth like the spirit at the same time. Yellow is exactly yellow but it must include shadow in order to suggest light. The color of pink should show control of gloomy emotions.

I believe that color should include those qualities.